Our New Online Book Of Shadows

[*Gypsy*]

Merry Meet Members,
We now have an online Book of Shadows, we need your help in making it the best one on the Net!
Post your Spells, Recipes, Protection Info, Candle Magick for the New BoS on the posting brd in the categories they belong and we will let you know when they are placed in the Book of Shadows, also we are making a 2006 Halloween page for photos to stay up, so if you plan on dressing up and having some fun send me your Photo in your costume and I will post it in the Book Of Shadows to
[e-mail]

here is the Link to Our Book Of Shadows, we hope you enjoy it!

www.freewebs.com/witches1/index.htm

[ButterflEyez]

That's awesome! I'll be checking into this real soon!

[*Gypsy*]

~Thank you~I will be updating it next week, we have all kinds of new stuff from members

[ladyjay]

Okay. I will check it out more.

[starr]

Outline for a Book of Shadows

I did not write this, it was given to me by a friend Jill on myspace, but it may be of use to you.

Your Book Of Shadows

Your Book of Shadows is your most important form of record keeping and a

reflection of your spiritual journey. It is an ever-evolving volume, or volumes, that will change and grow along side of the individual creating it. It becomes a record of all of your magickal workings, spells, and their results, as well as, any knowledge you have gleaned along the spiritual path you have chosen.



Since our tools are such personal extensions of ourselves I think it is difficult to tell someone what they "have to" do when building one. We create unique book by recording those sacred individual events and all those things that are holy to you. Ultimately your Book of Shadows is your reference manual on you spiritual path. There are guidelines that are generally followed by most people that I know and by myself. I have included them here and hope you find some measure of help from them. Be aware that if you feel something more or less should go into yours then you should be sure to follow that instinct. I will refer to the Book of Shadows as a BOS, henceforth, in this article.



My private BOS is actually 3 separate volumes kept in three ring binders. One binder is titled Potions and Recipes and contains things such as recipes for bath and toiletries, cakes and ale and crafting projects. The second section titled Spells contains ritual and spell work (wow! What a concept! J) and the third section titled Grimoire contains all the correspondences, information and lore that I have studied and used in my journey. You might use this method yourself and perhaps keep a separate journal in a blank bound book or in another binder.



There are those who like to use blank bound books for their BOS and they add

to them, as needed along with their journal entries. There are drawbacks to this option that should be considered. These drawbacks do not make the task impossibility. They just must be thought about, and measures taken, to see that they do not create any problems. One should number all the pages and create a table of contents in the beginning of the book and/or and index in the back of the book. Although, time consuming to begin with, this will save you countless hours of running through the book page by page when you need a particular correspondence, spell or ritual. I have seen books done with this method and the owner simply used the book from front to back and when the book was full they created an alphabetical index in the last several pages.They then used a new book to continue on.



To many people, keeping a BOS in their own hand is the only way that is acceptable. Actually there are some traditions that demand such. There are benefits to this method, one of which is that a person will absorb much of the information while doing the actual writing in their book. Something to consider if you decided on this method is that you will be filling the book with your own unique energies while writing. This will make a personal and tangible connection between you and your book.



I find nothing wrong with using one's computer, with its variety of fonts and graphics, to create a book that is not only beautiful but also unique and easy to read. There are those who wish to keep their books on disk in order that they may replace or rewrite sections with ease. I use a combination of these methods. I write my book with a computer program and keep it on disk, but I also print the hard copy whose information I keep in the different sections I explained earlier. I also cover each page with a sheet protector. This has saved me on many an occasion! Dripped wax, spilled wine, water and oils are all hazards around your beautifully created pages. The sheet protectors offer one resolution to these problems that will,

again, save you not only time copying or reprinting items that are ruined but also the paper you would normally have had to replace.



Many beautifully bound books are available for purchase. You may also wish to create your own unique volume. Fabric may be used to either cover or create a storage bag for your BOS. Silk, wool, linen or cotton are good choices if you prefer natural fibers (or your tradition requires it), or velvet or satin are nice if you like other "posh" fabrics. If you wish to put herbs in the cover of your book, you might do so by wrapping or gluing the outer cover in fabric and sandwiching the herbs between the book cover and the fabric. You might also decide to prepare a fabric bag in which to store your book and any herbs you may choose can be put into the bottom of the bag. You might decide to sew the herbs into the walls of the bag if you are creating a lined bag-the only drawback with this method is that you will

have to take the entire bag apart to refresh your herbs. A good solution to this is to place a small pillow of herbs that is easily replace in the bag.



Things to include in your BOS are listed below. If you can think of anything that I have missed please e-mail me with your suggestions and I will be glad to include them here.



A dedication

A protection spell for the book

A blessing

Table of Contents

Glossary of terms

Traditions in Wicca

Magickal Ethics-Wiccan Rede, Laws of Return, etc.

Beliefs & Doctrine

Paranormal studies

Herbalism

Recipes for:

Ritual and holiday foods

Bath Salts

Oils

Incense

Meade and other drink

Correspondences for:

Amulets

Planetary hours

Color magick

Crystal, gemstones and minerals

Elements

Herbs, Plants and Trees

Wheel of the Year

Moon Phases

Chakras

Animal Totems

Oils

Incenses

Days of the week

Planets

Months of the Year

Dream interpretation

Magickal Symbolism and Alphabets

Crafts

Listing of Books and Sacred Texts

Divination studies :

Dowsing

Egg

Smoke, Flame, Fire

Astrology

Runes

Scrying

Pendulum

Phallomancy

Palmistry

Tarot

Tealeaves

Numerology

I-ching

Face Reading

Pedomancy

Gastromancy

Kumalak

Playing Cards

Ouiji

Tyromancy

Phyllorhodomancy

Onychomancy

Omphalomancy

Uromancy

Medicine Cards

Shamanism

Wheel of the Year-traditions

Rituals & Spells-actual rituals and spells along with outcomes for those performed

Circle Casting

Cleansing and Consecration

Blessings

Quarter calls

Meditations

Prayers

Candle magick

Ritual Construction

Rites of Passage

Invocations

Music/Chants

Crystal Healing

Reiki

Aura Studies

Tools

Web-weaving-a list of contacts and web addresses

Dragon Lore

Fairy Lore

Humor

Index

[starr]

Candle Magic Colors

Red


Element of Fire; Energy; Strength; Passion; Courage; Career Goals; Fast Action; Lust; Blood of the Moon; Vibrancy; Driving Force;

Love; Survival, the base chakra.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Orange


Business Goals; changes, Property Deals; Ambition; Career Goals; General Success; Justice; Legal Matters; Selling; Action, the

sacral chakra (belly botton)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Copper


Passion; Money Goals; Professional Growth; Fertility in Business; Career Maneuvers
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Gold


The God; Wealth; Promote Winning; Safety and Power of the Male; Happiness; Playful Humor, The solar plexus chakra along with yellow.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Yellow


he Sun; Intelligence; Accelerated Learning; Memory; Logical Imagination; Breaking Mental Blocks, the solar plexus chakra.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Pink



Romantic Love, planetary good Will, healing of Emotions, Peace; Affection; Romance; friendship, Partnership of Emotional Maturity;

Caring; Nurturing and sympathic magic.(Magic for others in need)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Green


Earth Mother, Element of Earth; Physical Healing; Monetary Success / Prosperity; Abundance; Fertility; Tree and Plant Magick;

Growth; Personal Goals. The heart chakra.,earthly matters.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Blue


The Element of Water; Good Fortune; Opening Blocked Communication; Wisdom; Protection; Spiritual Inspiration; Calm;

Reassurance; Gently Moving, womans magic, Creativity, the throat chakra.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Purple


Influencing People in High Places; Third Eye chakrsa, Psychic ability; Spiritual Power; Self assurance; Hidden knowledge.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Silver


The Goddess; Full Moon Magic, Telepathy; Clairvoyance; Clairaudience; Intuition; Dreams; Astral Energies; Female Power;

Communication, Also crown chakra along with white, Silver is the color of planet Mercury.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Brown


Influence Friendship, Earth magic, Prayers to mother earth, Special Favors, grounding and centering.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Black


The God; New moon magic, Male energy, Banishing Magic, Protection; Repelling negativity; Binding, Shapeshifting. Use black candles

for mirror scrying. Traditional for rememberance at Samhain

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


White


Moon Goddess, Moon magic, Spirituality, Purity, Seance.

[starr]

The Magick Circle

Circle of starlight
Circle of fire
filled with enchantments
bright with desire.
Turning, turning
beginning to end
end to beginning
again and again.
Circle of wisdom
Circle of love
silver with moonbeams
bright from above
Circle of death
Circle of re-birth
Circle of the Mother Earth.
Shining, shining
forever and ever
Spinning, spinning
ending never.
Weaving the threads
of the midnight hour.
Weaving the web of Goddess power.

[starr]

Drawing Down The Moon

In this ritual the Goddess becomes incarnate in the High Priestess. The High Priestess stands in front of the altar with her back to it. She holds the wand in her right hand and the scrounge in her left. She crosses her wrists and crosses the wand and scrounge above them while holding them close to her breast. The High Priest stands in front of her and says:

"Diana, queen of night
In all your beauty bright,
Shine on us here,
And with your silver beam
Unlock the gates of dream;
Rise bright and clear.
On Earth and sky and sea,
Your magic mystery
Its spell shall cast,
Wherever leaf may grow,
Wherever tide may flow,
Till all be past.
O secret queen of power,
At this enchanted hour
We ask your boon.
May fortune's favor fall
Upon true witches all,
O Lady Moon!"

The High Priest kneels before the High Priestess and gives her the Five Fold Kiss; that is, he kisses her on both feet, both knees, womb, both breasts, and the lips, starting with the right of each pair. He says, as he does this:

"Blessed be thy feet, that have brought thee in these ways.
Blessed be thy knees, that shall kneel at the sacred altar.
Blessed be thy womb, without which we would not be.
Blessed be thy breasts, formed in beauty.
Blessed be thy lips, that shall utter the Sacred Names."

For the kiss on the lips, they embrace, length to length, with their feet touching each others. When he reaches the womb, she spreads her arms wide, and the same after the kiss on the lips.The High Priest kneels again and invokes:

"I invoke thee and call upon thee, Mighty Mother of us all,
bringer of all fruitfulness; by seed and root,
by bud and stem, by leaf and flower and fruit,
by life and love do I invoke thee to descend upon the body of this,
thy servant and priestess."

During this invocation he touches her with his right forefinger on her right breast, left breast, and womb, repeats the set and finally the right breast. Still kneeling, he spreads his arms out and down, with the palms forward and says:

"Hail Aradia! From the Amalthean Horn
Pour forth thy store of love; I lowly bend
Before thee, I adore thee to the end,
With loving sacrifice thy shrine adore.
Thy foot is to my lip
(he kisses her right foot)
my prayer up borne
Upon the rising incense smoke; then spend
Thine ancient love, O Mighty One, descend
To aid me, who without thee am forlorn."

The High Priest stands up and steps backwards. The High Priestess draws the Invoking Pentagram of Earth in the air with the wand and says:

"Of the Mother darksome and divine
Mine the scrounge, and mine the kiss;
The five point star of love and bliss
Here I charge you in this sign."

The High Priestess should be in a trance now. This is a good time to do the Charge or the Witches' Creed. When the Charge or Creed is finished, the Goddess must be dismissed. It is bad magical practice not to do so.

The High Priest faces the Priestess and says:

"We thank you Our Lady for attending our rites. We bid you farewell till next we call you.

[starr]

This is the Basic correspondences for the Elements.

Air
Knowledge, learning, mental quickness, intuition, inspiration, change
Time of Day Dawn
Season Spring
Colors Yellow, white, pink, pastels, lavender
Plants Acaia, Anise, Broom, Dandelion, Eyebright, Hops,
Lavendar, Lemongrass, Meadowsweet, Sweetgrass,
Slippery Elm
Stones Adventurine, Mica, Clear Quartz, Lepidolite
Elemental Sylphs
Dragon Ruler Sairys


Fire
Energy, will, passion, creativity, enthusiasm, courage
Time of Day Noon
Season Summer
Colors Red, crimson, burgundy, orange, fuscia
Plants Ash, Angelica, Betony, Cedar, Cinnamon, Damiana,
Cinquefoil, Cactus, Dragon's Blood, Ginger, Hawthorn,
Holly, Juniper, Mullein, May Apple, Mandrake,
Tobacco, Witch Hazel
Stones Jasper, Pipestone, Citrine, Beryl, Hematite, Ruby
Elemental Salamanders
Dragon Ruler Fafnir


Water
Emotions, love, daring, flow, psychic, subconscious, tranquility
Time of Day Dusk
Season Autumn
Colors Blue, turquoise, indigo, aqua, grey
Plants Apple, Balm of Gilead, Birch, Belladonna, Blackberry,
Camphor, Catnip, Datura, Elder, Lily Lobelia,
Moonwort, Morning Glory, Myrrh, Poppy, Raspberry,
Sandalwood, Thyme, Yarrow, Willow
Stones Amethyst, Aquamarine, Chrysocolla, Rose Quartz,
Coral, Moonstone, Pearl
Elemental Undines
Dragon Ruler Naelyan


Earth
Strength, stability, grounding, fertility, silence, abundance
Time of Day Midnight
Season Winter
Colors Green, brown, black
Plants Barley, Buckthorne, Corn, Sage, Horehound, Magnolia,
Mugwort, Patchouly, Rye, Vervain
Stones Agate, Malachite, Jet, Obsidian, Salt
Elemental Gnomes
Dragon Ruler Grael


Spirit
The spirit brings together and encompases all the lelments, Correspondences are unknown as spirit is everywhere.

[starr]

How To Infuse Oils

Infused oils are produced by soaking the plant material in a carrier oil over a period of time and is probably the oldest method of extraction and was used thousands of years before distillation and other methods were devised.



Oil infusions can be prepared by hot or cold methods.



These oils are very effective because they extract the herbal constituents and volatile oils from the herbs. They contain many properties that essential oils do not, and are not as strong as essential oils so they can usually be used without further dilution. Another avantage of using infused oils is that is possible to use many plants that yield either very little or no essential oil but which are immensely useful. Infused oils can be added to recipes, used for cooking, used in balms, salves and creams or massaged into sore body parts.



Tips For Making Herb Infused Oils



Well dried or thoroughly wilted herbs are the best to use to make infused

oils as the water content in fresh herbs could cause bacteria to grow and

spoil the oil. I personally prefer to use dried herbs.



The carrier oil you use will make a huge difference in the shelf life of your infused oil.



Refrigeration of the oils will ensure a much longer life as oxidation and rancidity will be retarded.



Remember! When using the heat method if the oil overheats you will lose some of the important volatile properties of the herbs



Hot Method tends to lose a lot of the natural perfume of the plant material while the cold method retains more of the scent.



When using the cold method of infusion remember that unless the herbs are completely submerged they will mold. Also be sure to leave as little air space as possible in the top of the jar for the same reason.











Hot Method #1



To begin, tightly fill a large sealable jar with selected herb flowers or leaves. Place the jar up to the neck in a saucepan of water and bring to a medium temperature. Simmer for up to three hours. Strain through filter paper or cloth into a brown glass bottle.



Hot Method #2



Place herbs in a crock pot on the lowest setting and cover completely with oil. Allow to remain, incovered on the lowest setting for 12 hours or longer being careful not to scorch the oil and plant materials.







Cold Method



Put either lightly bruised herbs or dried herbs in a jar and cover to about 1 to 2 inches above the plant material with a slightly warmed, light weight and scentless oil such as grapeseed or almond. Cover closely with a well fitting lid. Put in a sunny spot for one week. Bring the jar in at night if you prefer or allow the moon's energy to infuse into the oil as well. A sunny window makes a great substitute in cold weather

[starr]

How to Make Incense

Incense making instructions. Rediscover how to make incense the way it's been made by virtually every civilization since before the Stone Age; with fine natural incense resins, woods and herbs.

Incense making is a meditative and enjoyable way to exercise our creativity. It's simple, inexpensive and awakens us to the pleasures of earth's aromatic treasures and our interconnection with nature. Create recipes that greet the rising sun with a clean and invigorating aroma, entertain guests with exotic fragrances, purify indoor spaces, enhance dream activity, relax with a soft, smooth, calming mixture that eases the troubles of the day, or blend a warm, sweet and seductive mixture to stimulate your sensuality for an evening of mystery and intimacy.

Since antiquity incense has been used for creating aromatic, fragrant spaces both indoors and out. Incense has always been deeply intertwined with religious ceremonies as well as the practice of medicine. In fact the first reported healing practices, recorded in ancient Egypt, exposed patients to the smoke of incense for healing.

Strengthen your connection to nature as soft clouds of frankincense, mastic, storax, sandalwood, cassia, juniper and lemon grass ascend to the heavens! Lets rediscover the ancient art of how to make incense.




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Natural Incense Making

determine the type of incense you'll make
determine how you will heat your incense
gather tools
gather ingredients
pulverize ingredients (or use powders)
mix ingredients
perhaps a drying or curing time
heat ingredients
ahh...enjoy!
What "type" of incense will you make?

combustible incense - used when forming your mixtures into cones or sticks by adding a binding material and a combustible material directly to the incense mixture (no reported explosions yet!). One end is lit, the flame then fanned out, allowing it to burn continuously by themselves. This incense is more difficult to make but easier to burn. Makes traveling with incense easy.

non-combustible incense (incense of the ancients) - "loose incense" (just the ingredients themselves, after grinding and mixing) or "incense pellets" (loose incense where soft resins, balsams, raisins or dried fruits and honey have been added to form pea sized "pellets"). This incense is heated using charcoal, makko or on mica atop charcoal. This is the easiest method of mixing incense but requires just a few more steps and utensils to burn.

How will you heat your incense?

If you are making cones or sticks then burning your incense is straight forward and simple; you light one end of the cone or stick, fan out the flame and allow it to slowly burn of its own accord. Note: In some cultures it is considered disrespectful to all that is nature to "blow" out the flame.

If you are burning loose incense mixtures or incense pellets, then you'll need charcoal or makko to heat your mixtures.

If you are burning incense outdoors; individual ingredients, loose mixtures and incense pellets can be placed directly in a small campfire (best when there are just glowing coals remaining, no flame) or on a hot rock on the outer rim of a campfire, etc.

Incense burning vessel
- varies by the "type" of incense you will be burning

non-combustible incense (loose ingredients or pellets): usually a cup, bowl or saucer shaped vessel filled with ash or sand is ideal (can be made of wood, metal or pottery). Large sea shells, such as abalone, work well too.


combustible incense (cones, sticks, coils): again a cup, bowl, saucer or shell shaped vessel works well or one of the infinite number of specialty holders designed for this type of incense works great as well.


We encourage you to choose an incense burner that is handmade or perhaps even enjoy making one yourself. There is an energy to a handmade burner that cannot be put into words, it blends perfectly with the burning of natural incense. This "union" seems to be missing, even reversed with a mass produced incense burner.


Note: We have found that using a cup or bowl shaped incense burner filled with ash is the most versatile way to burn incense. It allows for every style of burning that we know of and the burning of every type of incense except coils, though with a little imagination one could probably work that out as well. The incense burner is most versatile when filled with ash (allows for burying charcoals koh doh style as well as using makko), the ash most often used is white rice ash. You can also use sand or pulverized lava rock in these incense burners as an alternative.

Styles of burning non-combustible incense

Lets look at three ancient methods for burning "loose incense" or "incense pellets":


Charcoal - here we light a piece of bamboo charcoal (without saltpeter or other toxic chemical additives!) and set it in the center of our bowl filled with ash or sand. We sprinkle our incense mixture directly on top of the charcoal or right next to it. The charcoal heats the materials and releases their fragrance into the air. This has probably been the most common method of burning incense throughout history.


Makko - makko is a natural combustible material from the Tabu-no-ki tree, which grows in parts of Asia. It is a powdered material that burns slowly but with high heat. An indentation is made in the ash using an ash press then the trail is filled with makko powder and compacted slightly using the ash press again (any small form that will make a one way path in the makko makes a fine ash press).See or Makko style page for a photograph.


Mica - here we use the charcoal method of heating our incense ingredients but with the addition of a small mica plate placed either on top of the charcoal or we bury the charcoal in a cone-shaped mound of ash by using a flat butter knife or incense utensil. A vent hole is poked from the top of the mound of ash down to the charcoal and the mica is then placed on top of the hole and mound of ash. We then sprinkle a small amount of our incense on top of the mica plate and allow the mica to heat up and release the fragrances of our incense materials. This method will produce very little smoke yet still fill the room with rich fragrance. This method originates from Japan and is used for during their Koh doh and Kumiko ceremonies. See our section on Koh doh ceremony for a photograph.
Note: We burn our own loose incense mixtures using mostly the mica or makko methods. After use, the ash can be sifted to remove any incense ingredients that may have spilled into it. Unburned pieces can be reused.

Note: Using saltpeter as an oxidizer is a common ingredient in many charcoals sold today. Saltpeter on today's market is either sodium nitrate or potassium nitrate, both of these are toxic chemicals and warn against inhalation. We recommend using bamboo charcoal or makko to burn your incense. A good way to tell if your charcoal has saltpeter in it is to see if it crackles when lit, if it does it most probably contains saltpeter. Here are MSDS reports on sodium nitrate and potassium nitrate that we've found on the web.


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Okay, now that you have chosen what type of incense you wish to enjoy and what kind of incense burner you'll use, it's time to start enjoying the fine art of incense making.
The first thing we need is to assemble our list of tools and supplies to make and burn our incense.

Tools / Supplies

incense burner - filled with ash or sand
natural incense ingredients - resins, woods and herbs
bamboo charcoal or makko powder - makko is needed if making cones or sticks or for burning loose incense on top of makko
tweezers - to hold charcoal while lighting it
mica - if using this style of incense burning (mica on top of charcoal)
mortar & pestle / coffee grinder - to pulverize our ingredients into powders or you can omit this by starting with powdered substances - (however the freshest ingredients are obtained if you pulverize them yourself).
distilled water or fragrant hydrosols - needed if making cones or sticks
2 mixing bowls or food grade plastic bags - to hold our pulverized ingredients until final mixing
gram scale, measuring cup or sthingys - to measure the ingredients in our recipes
drying cloth or wax paper - for drying some recipes
stirring sthingy
lighter or candle
notebook - to record your recipes
food processor - optional
Incense Ingredients

The starting ground for making fine aromatic incense mixtures is using high quality natural ingredients. Start with some of your favorite woods and spices and experiment with new substances as you become more comfortable and intrigued with the process. Try to always use at least one resin or wood in your mixture as a base. Visit local herb shops, incense stores, nurseries, etc. to uncover hidden aromatic treasures. Here is a partial list of popular incense ingredients from around the world. Wine, honey, dried fruits and fragrant hydrosols are often used as well. Recipes and suggestions are listed later in this article. All ingredients should be stored in a dark, cool space.
Herbs Resins Woods
Ambrette seeds
Cassia
Chamomile flowers
Cinnamon bark
Calamus root
Cardamom seeds
Clove buds
Cocoa Grass
Coriander seeds/fruit
Dream Herb
Fragrant Grass
Galangal root
Ginger Lily
Henna
Herb Bennet
Hops
Hyssop
Iris flowers
Juniper berries
Juniper twigs
Lavender flowers
Lemongrass
Marjoram
Mistletoe
Mugwort
Patchouli
Quince
Rhododendron
Rose, cabbage
Rose, damask
Rose, French
Rosemary
Saffron
Sage, White incense
Sage, garden
Sage, Russian
Sage, common
Spikenard
Star Anise
Sweet clover
Sweet Grass
Thyme
Vanilla
Verbena
Vetiver Amber
Aloe
Balsam - Peru
Balsam - Tolu
Balsam - Copaiba
Benzoin - Siam
Benzoin - Sumatra
Borneol Camphor
Copal - Gold
Copal - Black
Dammar
Dragon's Blood
Elemi
Frankincense
Galbanum
Labdanum
Mastic
Myrrh
Opoponax
Sandarac
Storax Aloeswood / Agarwood
Cedar
Cedar - Red
Cedar - Himalayan
Cedar - Atlantic
Cedar - Lebanon
Juniper
Sandalwood
Spruce - Australian
Spruce - Norway
Pine - Scotch
Pine


Mixing Ingredients - Making Loose Incense

If you are not starting with powdered ingredients then of course you must pulverize them using a mortar and pestle or coffee grinder. Electric coffee grinders produce too much heat, allowing for the loss of vital chemicals from our ingredients and therefore shouldn't be used. Also, most resins will break the blades of electric coffee grinders.

If you freeze your resins for a short while (1/4 hour or so), they will be much easier to pulverize. We've found that resins can only be ground or powdered using a mortar and pestle. We prefer using the Mexican Molcajete for this because of it's rough texture.

Woods are very difficult to pulverize with a mortar and pestle and really require the use of a hand crank coffee grinder of some sort or simply beginning with powdered woods.

If you are just starting out making incense mixtures then you should keep the number of ingredients down to three (3) to begin with, perhaps one wood and two herbs, or one resin, one wood and one herb, etc. As you get used to making incense you can slowly expand the number of ingredients you use.

So the first step is to choose the recipe you will use and gather the ingredients needed.

We recommend pulverizing your ingredients by "class" by grinding woods first, then herbs and saving the resins for last. Resins, if young and soft, will make a mess of your mortar and pestle and its best to keep freezing them to get them powdered. We also recommend saving them for grinding last, which allows you to grind everything in your recipe before you have to clean the mortar and pestle. We weigh each ingredient in our recipe after grinding, then keep one bowl for all our dry ingredients and another for all our resins.

Mix all your dry ingredients together first (herbs & woods), separately mix all your resins together then add your resins mixture to your dry mixture and mix together thoroughly. We like to throw the completed mixture into our mortar and pestle again and grind it all together one last time to help blend the aroma of each ingredient into the others.

Congratulations! You now have a "loose non-combustible incense mixture" and are ready to enjoy the aromatic treasure you've just created. We recommend aging mixtures for a couple of weeks so that all the aromatics permeate into each other and produce a single bouquet of fragrances. You can heat this mixture as it is over charcoal, on mica on top of charcoal, on mica on top of ash under which hot charcoal is buried, or on top of makko.

If you are making "incense pellets" or "incense cones or sticks" then you still have a little work to do.

Making Incense Pellets

It's quite simple to make pellets from any loose incense mixture. They add a richer fragrance to any mixture and more dimension to your incense making.

There are many choices as to what you'll use to bind your pellets. Many resins come in a pliable form permitting the "molding" of pellets. Labdanum is often used in recipes of Japan to form pellets, some called neriko, a recipe used in the fall and winter seasons as well as for tea ceremony. Simply combine all other ingredients first, then add them to the labdanum, or other pliable resin, and knead well. Dry these pellets in a ceramic jar with a lid for 2 - 3 weeks.

Dried fruit can also be used to make incense pellets. We commonly use sulfur-free, organic Sultana Raisins or dried Prunes, though we have a batch drying as we write this where we've used dried Apricots. Honey is also used in this process as a preservative for the dried fruit, and adds a delightful warm fragrance to a mixture. Honey itself can be used to form pellets from any dry mixture without the use of any fruit or pliable resins.

We've found using about 1/2 - 3/4 of a cup of dried fruit for every 1 cup of loose incense mixture works well. We like to soak our dried fruit overnight in a heavy red wine before using. Once soaked overnight and drained, we add the fruit to our loose incense and use a food processor to blend this entire mixture together. If you do not wish to use a processor, then mix a small amount of fruit with a small amount of your mixture and mash it together with a mortar and pestle and continue this process until all of your mixture has pulverized fruit in it. Transfer the entire mixture to a mixing bowl and drizzle in about one teasthingy of pure honey for every 3/4 cup of dried fruit, knead this together very well. At this point you can either crumble the mixture with your hands and spread it out on a cotton cloth, cardboard, wooden board, wax paper, etc. and store it indoors, out of the sunlight, allowing it to dry. You can also form pea-sized balls with your hands and then spread them out to dry. Drying time can take 2-4 weeks depending on climate. The mixture should be turned daily for proper drying. Alternatively, you may also place your pellets in a ceramic jar with a lid and allow them to age for up to a year. In Japan, the ceramic jar is sometimes buried in the ground for up to a year. This type of mixture can be burned on charcoal, mica over charcoal, or directly on makko.

Making Incense Cones and Sticks

Pulverizing your ingredients into a very, very fine powder is one of the keys to making cones or sticks that will burn properly. Follow the directions above for mixing ingredients as loose incense but grind everything to an ultra fine powder.

There are many ways to make cones and sticks, some people use gum arabic or tragacanth to bind their sticks or cones. They mix this with charcoal or saltpeter to gain combustion. As stated in our "styles of burning" section above, we recommend against the use of saltpeter or charcoals that contain saltpeter because it is a toxic substance.

We're sure there are a myriad of other ways to form sticks and cones. We'll share our own method with you, which is to use makko (a.k.a. tabu) to form incense cones and sticks. Our makko is made from the bark of the tabu-no-ki tree, which grows in Asia and is a natural combustible material that is also water soluble. When added to loose incense mixtures with a small amount of distilled water or hydrosol, makko allows for the forming of incense cones or sticks. Because it is water soluble, the exact amount of makko to add to a mixture depends on the humidity of your environment and the amount of resins and woods in your mixture.

First we recommend letting your "loose incense mixture" sit at least overnight to allow the ingredients to "blend" together. Once aged a day or more you are then ready to add your makko and form the incense into whatever shapes you desire. We recommend testing a small amount of your mixture first. You'll need a mixing bowl, your hands and either distilled water or a fragrant hydrosol and some wax paper. If you have a mixture with no resins in it, then you will most likely need to add only between 10 - 25% of makko to your mixture. (i.e. If you use 4 tablesthingys of loose mixture, try adding 1/2 - 1 tablesthingy of makko). If you have resins in your mixture then you may need 25 - 80% makko in your mixture. You'll have to play with this yourself to see what works with your particular mixture and in your particular climate. We highly recommend you record in a notebook the exact measurements of your recipes so you can recreate the ones that come our perfectly and adjust those that don't.

Very slowly... add a little water and mix with your hands, you want the mixture to become gummy and pliable yet still hold form as you mold it. Using your hands, knead the mixture very, very well then form it into cones or sticks. Cones are relatively easy to form. To make sticks, use a piece of wax paper on a flat surface and roll the mixture into sticks with your hands. You may also wish to obtain blank bamboo sticks that have absolutely no additives and roll your mixture onto the sticks. Allow your cones or sticks to dry at least a couple of weeks - again this depends on climate. You want to keep them away from sunlight and heat during this time. Sticks will dry faster than cones. Cones you can tell are dry by turning them upside down and looking to see if there is any color difference in the center of the bottom compared to the outer edges. Once dry, light one of your creations and see how it burns and smells. If it doesn't burn steadily, then you need to increase the amount of makko to the mixture. If you think it burns too fast, then decrease the makko content. A great thing about this method is you can grind up any cones or sticks that didn't come out right and adjust the makko content by adding more makko or more loose incense mixture to them, add a little water and begin again.

Incense Recipes

Here's a list of recipes to get you stared, have fun experimenting and enjoying new mixtures.



1 part sandalwood
1/2 part cassia
1/2 part clove 2 parts sandalwood
1 part benzoin
1 part star anise
1 part cassia
1/2 part rose mallow seeds 2 parts frankincense
1 part sandalwood
1 part aloeswood
1 part clove
1 part cinnamon
2 part sandalwood
1 part galangal
1 part myrrh
1/2 part cinnamon
1/2 part borneol

3 parts gold copal
1 part dark copal
1 part myrrh
1 part balsam of tolu
1/2 part vanilla 4 parts juniper tips
2 parts white sage
2 parts sweet grass 2 parts sandalwood
1 part mastic
1 part myrrh
1 part cinnamon bark
1 part spikenard
handful of dried rose petals 1 part storax
1 part frankincense
1 part cassia
1 part sandalwood
2 parts sandalwood
1 part frankincense
1 part mastic
1 part lemongrass 2 parts frankincense
1 part myrrh
1 part cedar
1/4 part pinion pine 2 parts frankincense
1 part myrrh
1 part mastic
1/2 part coriander 2 parts cedar
1 part vetiver
1 part lavender flowers
1/2 part benzoin
handful of dried rose petals

[aislinstorm]

This is really great...I expected to see things that had been posted on the forum, but it is all new stuff to me. I really enjoyed it.